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The play begins with what is fashionable in some areas of theatre writing at the moment, Chorus Speak: shared lines that give us direct information without the pretence of character. But this play reveals a writer at a much earlier time in his career, still finding his voice, no matter how much recent adaptation has gone on.
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In this work one can see the origins of what I think is a very exciting writer, based on my memory of his later play COLDER. Originally written for a Melbourne Theatre space, the Builder’s Arms Hotel, in 1999, Mr Philpott and the production company Focus, have reworked the material to bring “it up to date”. (There is very little in this material to excite a Lesbian audience, it is entirely concerned with the male experience.) These plays in my estimation are of interest to a very small cognoscenti of the public.īISON by Lachlan Philpott is an Australian play. Even certain factions of a Gay audience may find a lot of the material confronting and maybe uncomfortable to watch.
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(Witness BLOWING WHISTLES and it’s soft porn memories.) I guess if Channel 9 can score audience targets with similar tactics in both series of UNDERBELLY, let’s go one step further and give the nudity to them: Live! LIVE!!! LIVE!!!!!! Live simulated sex acts on stage!!! (There are various ticket prices available and at $48 dollars for the double bill, $30 a single, you may or may not feel you have got value for money - entirely dependent on what you go to the theatre for.) Definitely the ordinary audience might find the material both confronting and maybe informative.
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Both plays have what seems to be a recent Hallmark of Focus Theatre performances, a de rigueur requirement of including “male striptease” and full frontal nakedness, a titillating element of soft porn. Both plays are examples of extreme verbal voyeurism. BE WARNED then, that, these two plays, as performance pieces, have a very specific audience target in mind. The Sydney Gay and Lesbian MARDI GRAS 2009 logo stands beside the FOCUS THEATRE logo at the top of the program. (It is part of The Sydney Gay Lesbian MARDI GRAS 2009.)
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Grand gets filled from both ends, his muffled moans filling the scene.FOCUS THEATRE present BISON by Lachlan Philpott and NATURAL BORN HOOKER by Konrad Product at the Belvoir St Downstairs Theatre. The two are soon spotted by Trent Reed, who joins in and takes charge.
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Max Grand, in one of his earliest roles-shows his deep throating skills as he works on the huge slab of Kevin Dean. THE OTHER SIDE OF ASPEN 4 (FVP-100): Kevin Dean & Trent Reed fuck Max Grand Colby also takes a line of studs in a hot gang bang. From the huge meat of Ken Ryker to the chiseled body of Jackson Phillips to all stars like Max Grand, Carl Erik and Kevin Dean, this one has it all, including dildo play and a double penetration with the masked Bryce Colby taking both Dean and Phillips. It’s off to the races as 13 studs give yet another orgy for the record books. THE OTHER SIDE OF ASPEN 4 (FVP-100): THE 13 STUD ORGY One by one the studs fill Marco’s hole and send forth a veritable fountain of mouth-watering manjuice before they are fully satisfied. The gathering evolves into a gangbang as gagged Marco submits to his fellows’ stiff straining cocks. These hugely hung muscle-studs get down and dirty….throating stiff cocks, stroking each other, teasing assholes, and enjoying every inch of their hardbodied masculine forms. Glenn McAllister, Todd Stevens, Kevin Dean, Cole Youngblood and Marc Calles enjoy some quality man-to-man time within the shadowy confines of a sex club. Large Dicked Canadian Gay Porn Star, Kevin DeanĭOWNLOAD: Kevin Dean, Todd Stevens, Cole Youngblood and Glenn McAllister gang-bang Marc Calles